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Recently deemed “one of the more consistently inventive, surprising composers now working in New York” (New York Times), “Brooklyn’s post-millennial Mozart” (Time Out New York) and “one of the new wave of scarily smart young composers” (sequenza21.com), Missy Mazzoli’s music has been performed all over the world by the Kronos Quartet, eighth blackbird, the American Composers Orchestra, New York City Opera, the Minnesota Orchestra, the South Carolina Philharmonic, NOW Ensemble and many others. She has received commissions from Carnegie Hall, Bard College Conservatory, and the Whitney Museum of Art. Her music has been featured on numerous festivals including the 2007 and 2009 Bang-on-a-Can New Music Marathon, the Cabrillo Festival (Santa Cruz), the Gaudeamus New Music Festival (Amsterdam), the Ecstatic Music Festival (New York) and the ZOOM Young Composers series at New York’s Merkin Hall.
In 2011 she will premiere a new orchestral work, performed by the League of Composer’s Chamber Orchestra at New York’s Miller Theater, as well as a new solo work for violinist Jennifer Koh commissioned by the Los Angeles Philharmonic. Other upcoming projects include the spring 2012 premiere of her first multimedia chamber opera, Song from the Uproar, at venerable New York venue The Kitchen. Excerpts of this work were previously performed by New York City Opera as part of their VOX series, and by students at the Bard College Conservatory under the direction of Dawn Upshaw. The New York Times called this piece “a haunting multi-media work… performance and video fused with unusual potency”.
Recent projects include new works for eighth blackbird, Kronos Quartet, the Santa Fe Chamber Players, violist Nadia Sirota, Ensemble ACJW (commissioned by Carnegie Hall), and Present Music (Milwaukee), and film scores to accompany films by Alice Guy Blaché, commissioned by the Whitney Museum of Art.
Mazzoli is the recipient of four ASCAP Young Composer Awards, a Fulbright Grant to the Netherlands, and grants from the Jerome Foundation, American Music Center, and the Barlow Endowment. She is also active as an educator and a mentor to young composers; in 2006 she taught composition in the Music Department of Yale University, and from 2007-2010 was Executive Director of the MATA Festival in New York City, an organization dedicated to promoting the work of young composers.
Mazzoli is an active pianist and keyboardist, and often performs with Victoire, an “all-star, all-female quintet” (Time Out New York) she founded in 2008 dedicated exclusively to her own compositions. In the past few years they have played in venues including Millennium Park (Chicago), The Winter Garden (New York, as part of the Bang-on-a-Can New Music Marathon), The Music Gallery (Toronto) and Le Poisson Rouge (New York, as part of the Wordless Music Series). Their self-released debut EP was named one of 2009′s ten best classical albums by Time Out New York. Their debut full-length CD, Cathedral City was released in late 2010 on New Amsterdam Records to great acclaim from classical and indie rock press alike. Pitchfork called Victoire “so good… a pleasingly accessible entreé into the world of pseudo-classical music”, WNYC dubbed the group “consuming and arresting”, and NPR’s First Listen asks “Is Victoire’s music post-rock, post-mimimalist or pseudo-post-pre-modernist indie-chamber-electronica? It doesn’t particularly matter. It’s just good music.”
Mazzoli attended the Yale School of Music (M.M. 2006), the Royal Conservatory of the Hague and Boston University (B.M. 2002).
More info at www.missymazzoli.com